Wednesday Book Spotlight: She Forgot She Was Free by Giselle Mascarenhas

● Title: She Forgot She Was Free
● Author: Giselle Mascarenhas
● Genre: Self Help
● Sub-genre: Inner Child Self Help/Transformational Self Help/Motivational Self Help
● Language:English
● Pages: 132
● Paperback ISBN: ‎ 979-8234125965
● ASIN: B0H6M1PSHT
● Publisher: Mija Media House
● Publication Date: June 23, 2026
● Amazon: https://a.co/d/04aiKYWO
● Purchase Signed Copy: https://signedcopy.netlify.app/

She Forgot She Was Free is an invitation to remember the woman you were before fear, expectations, achievement, disappointment, and survival convinced you to forget.

In this deeply personal and transformational book, two-time best-selling author and founder of The BECOME Method™, Giselle Mascarenhas, shares the lessons, questions, and revelations that led her back to her truest self. Rather than offering quick fixes or another self-help checklist, she invites readers into a journey of honest reflection, identity, healing, and intentional growth. Through compelling stories and practical insights, readers are challenged to release limiting beliefs, reconnect with their authentic voice, and rediscover the freedom that has been within them all along.

Rooted in the principles of The BECOME Method™, She Forgot She Was Free equips readers with a powerful way to move beyond simply surviving and begin living with clarity, courage, and purpose. Whether you’re navigating a season of transition, rebuilding after loss, or simply sensing there is more waiting for you, this book will remind you that the life you long for doesn’t begin by becoming someone new, it begins by remembering who you have always been.

Because the person you are searching for has never been lost.

She has simply been waiting for you to remember her.

Excerpt:

“Beat It”

If you grew up in the 80s, you understand what Michael Jackson meant.

Not as a celebrity. Not as a pop star. As a feeling.

My bedroom walls were covered in him. Floor to ceiling. Every page I could tear from every magazine that had his face on it, I put it up. I would climb on my dresser drawers and stand on chairs just to reach higher, just to fit one more. My brother John knew this. And because brothers are built to find the exact thing that will undo you, ripping one of those pictures was his most effective weapon. That was the deal, unspoken but understood, touch my Michael Jackson pictures and I stop raiding your Little Debbies and cereal. We had a whole economy built around it.

But Michael Jackson wasn’t just decoration on my walls.

He was proof that you could be fully, completely, unapologetically yourself, and the whole world would not just accept it, they would lose their minds over it.

Third grade. The school talent show.

I signed up to dance to Beat It. I borrowed a dress. Black tights that were slightly too small. I was not nervous. Not even a little. I was a great dancer and I loved Michael Jackson and the combination of those two facts felt like more than enough reason to get on a stage in front of the entire school.

When the music started, I stopped thinking.

I just danced.

I hit every move. I got lost in it, the way you only get lost in something when you are doing exactly what you were made to do. No performance. No awareness of being watched. Just a little girl and the music and the complete and total freedom of a body that knew what it was doing.

When it was over, the cafeteria stood up.

The whole cafeteria.

Elementary kids on their feet, cheering, for me, for little Gi who had just danced her whole heart out in slightly-too-small tights without a single moment of self-consciousness.

I remember that feeling. I want you to feel it with me for just a second before I tell you what happened next.

That feeling, of being fully yourself, fully alive, and being met with that kind of love, that is vitality. That is exactly what this book is about. Not the applause. The aliveness that came before it.

I signed up again the following year.

I was going to dance again. At this point I was certain, certain, that I was either going to be a ballroom dancer or a Dallas Cowboys Cheerleader. It was not even a question in my mind. It was just a matter of which one.

Then I got called to the principal’s office.

Mrs. Champion sat across from me and told me that before I could perform in the talent show, I would need to audition privately for her. Because last year, she said, and I still remember her tone more clearly than her words, my dance moves had been vulgar. And I would not be allowed to perform if I did anything like that again.

I was in third grade.

I did not fully understand the word she used. But I understood her face. I understood the disgust in it. The way she looked at me like my aliveness, my joy, my freedom, the very thing that had made every child in that cafeteria rise to their feet, was something to be ashamed of. Something that needed to be contained. Auditioned. Approved before it was allowed to exist.

I went back to my homeroom teacher and told her I had decided not to perform.

She asked why.

“I just don’t want to anymore,” I said.

And I sat down.

I did not have the language for what had just happened to me. I did not know that a grown woman had just looked at a little girl on fire and made her feel like her flame was a problem. I did not know that the thing I did most naturally, the thing that made people come alive, had just been handed back to me with a note that said too much.

What I knew was the feeling in my body.

The same body that had been lost in the music, free and uncalculating, was now sending a different signal.

A warning.

A familiar click.

When the light shines too bright on you, move it.

Point it somewhere else before someone decides your brightness is the problem. Before they call it vulgar. Before your heart gets shattered by someone else’s discomfort with your aliveness.

I had already learned the light switch.

Mrs. Champion just gave me the first real reason to use it.

– Excerpted from She Forgot She Was Free by Giselle Mascarenhas, Mija Media House, 2026. Reprinted with permission.

About the Author

Giselle Mascarenhas is the founder of BECOME™, creator of the BECOME Methodology™, and author of She Forgot She Was Free. An entrepreneur, speaker, and transformational guide, she has dedicated her life’s work to helping people reconnect with who they were created to be so they can live with greater purpose, freedom, and intentionality.

After years of building businesses, leading organizations, and walking through seasons of personal growth, Giselle recognized that lasting transformation does not begin with external success, it begins with remembering one’s authentic identity. That realization became the foundation of the BECOME Method™, a proprietary methodology designed to guide individuals through a transformational process of self-awareness, healing, alignment, courageous action, and embodied growth. Unlike a framework that offers guidelines for achieving a specific outcome, The BECOME Method™ is a comprehensive method of personal advancement that can be applied across every area of life, leadership, and purpose.

Her debut book, She Forgot She Was Free, is both a deeply personal memoir and an invitation for readers to embark on their own journey of remembrance. Through honest storytelling, reflection, and faith, the book explores the universal experience of losing ourselves beneath expectations, fear, pain, and performance, and the courageous journey of rediscovering the freedom, identity, and purpose that have always existed within us. Rather than simply telling her story, Giselle invites readers to see themselves in its pages and begin writing the next chapter of their own lives.

The book became the catalyst for the broader BECOME movement, an expanding ecosystem of transformational experiences designed to help people move beyond inspiration into intentional action. Through immersive workshops, retreats, leadership development, educational programs, community experiences, publishing initiatives, and speaking engagements, Giselle equips individuals with practical tools to create meaningful and lasting transformation. Every experience is grounded in the belief that personal growth is not about becoming someone different but remembering and embodying the person God uniquely created each of us to be.

Known for her ability to blend heartfelt storytelling with practical application, Giselle creates spaces where people feel seen, challenged, and empowered to take meaningful action. Her presentations combine vulnerability, strategic thinking, and actionable guidance, allowing audiences to leave not only inspired but equipped with a clear path forward. Her work resonates with entrepreneurs, leaders, professionals, educators, faith-based communities, and individuals seeking deeper purpose and authentic fulfillment.

Beyond her work as an author and speaker, Giselle is passionate about developing leaders who create ripple effects within their families, businesses, organizations, and communities. She believes transformation is contagious, that when one person remembers who they are and chooses to live courageously, they give others permission to do the same. This philosophy continues to shape every initiative within the BECOME movement.

Through future books, collaborative publishing projects, leadership academies, retreats, and global speaking engagements, Giselle’s mission is to help millions of people reconnect with their God-given identity and become the fullest expression of who they were created to be. She envisions BECOME as a worldwide movement that empowers individuals to live intentionally, lead authentically, and create lasting impact for generations to come.

Giselle lives in Texas with her family and continues to write, teach, speak, and expand the global reach of the BECOME movement. Whether on stage, in the pages of a book, or through transformational experiences, her message remains the same: the person you are searching for has never been lost, you have simply forgotten who you are. Remember. Rise. BECOME.

Visit her website at www.thebecomemethod.com.

Connect with her on social media at:

╰┈➤Twitter: https://x.com/giselleempowers

╰┈➤ Facebook: https://www.facebook.com/giselleempowers

╰┈➤Instagram: https://instagram.com/giselleempowers

╰┈➤Goodreads: https://www.goodreads.com/author/show/21957760.Giselle_Mascarenhas

 

 

 

❤Author Interview: Mary Lawlor, Author of 'Fighter Pilot's Daughter' #authorinterview

 

Mary Lawlor is author of a memoir, Fighter Pilot’s Daughter: Growing Up in the Sixties and the Cold War (Bloomsbury 2015) and two books of cultural criticism, Recalling the Wild: Naturalism and the Closing of the American West (Rutgers UP 2000) and Public Native America (Rutgers UP 2006). She studied at the American University in Paris, the University of Maryland, and New York University. She divides her time between Easton, Pennsylvania and Gaucin, Spain. Her novel, The Translators, is set in 12th century Spain and fictionalizes the experiences of Robert of Ketton, first translator of the Koran into Latin. She hopes to see it out next year. In the meantime, she has started a second novel, The Women’s Hospital, set in 18th century Spain and inspired by the life story of an Irish woman whose family moved to Cádiz, escaping English oppression in their own country.

╰┈➤ You can visit her website at https://www.marylawlor.net/.

Connect with her on social media at:

╰┈➤ Facebook: https://www.facebook.com/mary.lawlor.186/ 

Thank you so much for this interview, Mary. How did your family feel about having you write a book that might include them?

My parents were both gone by the time I wrote Fighter Pilot’s Daughter, and one of my older sisters had passed away. I was worried about how my other two sisters and the larger, extended family would feel about my describing intimate dynamics in the book, like my parents’ fighting or my father’s alcoholism. But my sisters and I talked about these things, and they were supportive. Before publication, I sent them both the finished manuscript — not promising to make changes but to hear their feedback and be influenced or not by it. I know one of them has read the entire book, and she was very moved. Her response has meant the world to me.

What was it like living in military quarters and never having a ‘real’ home that stayed in the same place? Do you feel it shaped who you are today?

In some ways, it wasn’t so much of an issue, since from the time we were very young, my sisters and I were moving every two years or so. It was all we knew and all we expected. The other kids on the Army posts where we were stationed had the same experience.

But a couple of things complicated that normality. Whenever they could, my parents enrolled us in Catholic schools, off post, and we would find ourselves surrounded by kids who had known each other since kindergarten. Generally, they looked at us like we were irrelevant — at least at the beginning. Eventually we’d make friends and be invited to their homes, where we’d see the continuity and stability of their lives, in contrast to our own.

And there were the visits to see our New Jersey cousins, who lived in a lovely house in a country town where they’d been all their lives. They’d gone to the same school, had the same friends, and so forth. It was an ideal domestic scene, and I loved being there. I was envious of their world but couldn’t imagine it for myself. It was too far out of reach.

When we were young, the moves were exciting. My parents would talk about the places we were going — California! Germany! — and my sisters and I would start imaging what they would be like. We’d read about and picture ourselves in the new situation. As we got older and had close friends and boyfriends, the moves were more difficult. It was sad and painful to have to leave, and we wished very much we could stay in the same place. Then, again, the new place would be exciting and different. We’d make new friends, and the cycle would continue like that.

Moving so much and not having a home has shaped me a great deal. After leaving my parents for college, I kept moving and am still am not quite rooted, although I’m married and have a nice house in Easton, Pennsylvania. But every three months my husband and I shift off to Spain, where we have a cabin in the mountains of Andalucía. I love being in Spain and would move here if I could. We have friends and more of a history here than we do in Easton. We don’t, however, have residency in Spain, so after three months, we come back to Easton. The year is divided up like this, and it feels perfectly familiar to me.

In one of your interviews you said, “Memories of my girlhood and forgotten fears of nuclear apocalypse were running through my brain day and night.” I can’t imagine the fear. Can you elaborate on this and tell us how you coped?

Living on military posts, I think we had more of a sense of the potential for nuclear war than other children in America. Because our fathers’ jobs were to get the defense apparatus ready for that eventuality, we were made constantly aware of it. Civil-defense shelters were everywhere, and we practiced the “Duck and Cover” moves at school, huddling under our desks and hoping that would do the trick! On the posts in Heidelberg and Stuttgart, Germany, there was a lot of talk about the Fulda Gap, a point on the border between West and East Germany where it was predicted the Soviet army would flood through to do battle with the Germans and the rest of Europe. These images and warnings kept the possibility of nuclear apocalypse in our minds almost all the time.

Apart from that, our parents were practicing Catholics, and the story of St. John’s Apocalypse often came up in the post chaplain’s sermons. Apocalypse offered a ready analogue to the talk of nuclear annihilation, and the chaplain would build on it, trying to imbue in us a sense of how close the end of world might be. The terrifying judgement of the living and the dead and the assignment of eternal damnation or happiness was always upon us.

These twin discourses of apocalypse were in the air, in our dreams and produced what I’d call a habit of fear, a trained response to seeing whatever troubling situation emerges as a sign of the end of days. Or the end of something. Like now, so many people my age are seeing the current political situation in the US as signs of the end of democracy and, perhaps, of America. But on a more personal level, the habit of fear has stayed with me and been a real handicap to my self-development and to my ability to genuinely live with confidence. Fortunately, it’s an obvious enough problem that I’ve known about it for a long time and have spent a lot of time (and money!) trying to come to terms with and manage it in therapeutical contexts.

Can you tell us the name of some of the places you have traveled to when your father was an aviator and which were your favorite?

We lived in Camp Lejeune, North Carolina, infamous as a cancer hot-spot for people who lived there in the 50s. Then there was Fort Rucker, in Dothan Alabama, where my father taught pilots how to fly helicopters and I got to ride in a Bell helicopter once — like being up in the air inside a giant eyeball. We rented a farm way out in the country and had a horse, cows, chickens, guinea hens to look after. That was hugely fun, although rural Alabama was a very unfamiliar place and the people there weren’t easy for us — especially for my mother — to understand. I go into Franny’s way of responding to southern culture in the book, but suffice it to say here that she was quite unhappy. Later we moved to Fort Benning in Columbus, Georgia, where we lived off post in a swampy development called Forestdale. There was a creek behind the house, but you had to watch out for water moccasins. I started my writing career there with a little newspaper a friend and I created, The Forestdale Gazette, in which we reported news of the neighborhood, using carbon paper for copies.

Later we moved to Fort Ord, in Monterey, California. This was really my favorite and my sisters’ too. We lived on post, but our parents enrolled us in the beautiful Carmel Mission School in Carmel, situated in an old monastery and arranged like a cloister walk around a gorgeous garden. We made friends there and loved the school, although some of the nuns were stricter than others. We stayed at Fort Ord long enough for my older sisters and me to start high school in Monterey. Then my father had orders to go to Stuttgart, so we had to say goodbye to people who had become important to us.

We crossed the Atlantic on the SS United States, an adventure in itself, which I also recount in the book. Germany opened up a whole new world. The enormous differences of language, styles of dress and manners, of what kids were allowed to do that they weren’t in the US and vice-versa, not to speak of the economic differences between them and us in those days — all these surprises were overwhelming. But it was fascinating. I scrambled to learn the German language and understand the few German friends I made. For the first couple of years we were in Stuttgart, a beautiful industrial city, and then we moved to Heidelberg, a handsome and historic university town. In both places we lived in the very closed environment of the post and didn’t get to know German people or their language or society very well. Among the military kids, my sisters and I came of age and got a taste of American teenage life that we’d never had in the States — drinking parties in the local Gasthauses that had no drinking age, and moonlit adventures in old Nazi sites. It was a strange and exotic experience which made me into a very different person than I’d been before.

Having lived through the Cold War, you know the fear of Russians invading or setting off a nuclear weapon was very real. Can you help us feel what that was like?

We were shown films in school with images of an enormous blast, followed by empty streets with trash blowing in the nuclear wind. The announcer would insist again and again that if we heard the atomic warning siren, we were to “duck and cover,” wherever we were. And we were told there might be no warning, that a blast as bright as the sun would suddenly happen, anywhere, anytime. Duck and cover movies warnings were played in schools and in the base movie theaters. Readiness warnings were issued at sports events and even in church. Repeatedly, we were told to be always alert for the warnings or the sun-bright blast itself. The message was meant to live in our psyches and be part of our thinking, our identity. We were people under threat. Nuclear holocaust was in my dreams and fueled a steady sense of fear and trepidation. From one moment to the next, you had to be ready for the world to fall apart under your feet. It was a tremendously unsettling discourse and kept all of us, I think, on edge and fearful.

I see this now in hindsight as a terrible experience for a child. Whatever the actual threat level at any given moment, ducking and covering probably wouldn’t have helped much. It only left us with a habit of fear. It probably made some of us more philosophical or religiously-minded than we might otherwise have been, given the end-of-the-world scenario we lived with all the time; but I think the more general effect was a fear, bordering on neurosis, of what could happen from one moment to the next. No wonder the late counter-culture that followed saw such an explosion of liberation and care-lessness, to counteract the intense, imposed caution of our childhood years.

In an earlier interview, you said you just wanted your mother and father to be remembered. Can you tell us what you would like people to know about them?

I think Jack and Franny were in some ways typical of their generation. Born in the 20s, they lived through the depression and came of age in the second World War. They weren’t subtle but saw things in black and white terms; and were very clear with their comments about everything from politics to homemaking. In many ways, I think they thought of themselves as opposite to the communists who they considered the enemy: communists were subtle, cagey, didn’t put their cards on the table. You couldn’t trust people like that, since what you saw wasn’t necessarily what you got.

Jack and Franny were both larger than life for me, but others outside the family responded to them as if they too saw them as striking characters. They were outspoken and definitive in their opinions. They were both loud and ready for an argument. I never heard them identify themselves as such, but they were politically independent and would size up the candidates carefully, then decide which was the better man (it was always, of course, a man). And once decided, that was it. There was little room for dialogic discussion of things, much less changing their minds.

As parents, they could be very difficult. They were strict, demanding, and kept a close eye on my sisters and I. They weren’t alone: child-rearing was like that in those days. Kids got spanked, and nobody thought it was wrong. My parents set the rules and the tone for our household, and we followed. There was no consulting us as to what we thought or hoped for or worried about.

But they were affectionate, and we knew they loved us. They hugged us a lot and always made a big deal of our birthdays. Christmas was a huge celebration with lots of good presents. And Jack and Franny were fun. Our moves across the country were always treated like adventures. The hotels, the pancake breakfasts at roadside restaurants, the sites along the routes of America — Carlsbad Caverns, Route 66, the Rocky Mountains — were part of a great expedition we were making. They inspired us with their excitement.

At a certain level, I suppose it’s simple vanity: I want them to be remembered because they meant so much to me. But they both contributed something to the world they came of age in, and they were characters of that time. I think that’s worth remembering.

What would you like future readers of your book to know?

I’d like future readers to know what life was like in the middle-to-late years of the twentieth century, particularly for the children of military families, a generally little understood component of American society. The focus of attention to US forces fighting overseas and preparing for war at home is usually on the service members themselves — all their adventures and sacrifices. I’d like readers to know more about the people who came along with them, followed in their wake — the spouses and children of the warriors. They may well not share the warrior’s priorities or even their ideology, but the children in particular are called on to be part of the picture anyway, like camp followers of all ages everywhere. I’d like people to know more about what life was like for us in our time, but I also hope readers will see how military children still experience the difficulties of moving all the time and the instability of life in warrior society. It’s an age-old portrait and one that’s little understood.

 

❤Author Interview: Karen Charles, Author of 'Evan's Stormy Voyage' #authorinterview

 

Karen Charles grew up in West Africa and traveled across Africa, the Middle East, Central America, and Europe. Her rich background and lifetime experiences are reflected in the depth of her writing. In her stories, she transforms real-life narratives into gripping thriller fiction. Her novels intricately weave threads of truth into a tapestry of suspense, intrigue, and riveting storytelling. She is the author of three children’s books in the “Evan’s Adventures in Africa” series, including Freeman Earns a Bike, Evan’s Gift, and Evan’s Stormy Voyage. Her three thrillers include Fateful Connections, set in the aftermath of 9/11, and Blazing Upheaval, set during the Rodney King riots in Los Angeles and the Northridge earthquake. A Glimpse Too Far offers the mystery and heart-pounding suspense of a psychological thriller and is based on a true story. Karen Charles has two businesses—a global company that trains international teachers to teach American English and an Airbnb on a beautiful bay in Washington State, where she and her husband currently live.

Karen’s latest book is Evan’s Stormy Voyage.

Visit her website at www.weaveofsuspense.com.

Connect with her on X, Facebook and LinkedIn.

I am so excited about your new children’s book, Evan’s Stormy Voyage. Can you give us a book blurb so others will know what it’s about?

Evan’s Stormy Voyage

by Karen Charles

Eight-year-old Evan has never crossed an ocean before.

When his parents tell him they are leaving New York for West Africa, everything familiar slips away in a blur of crowded docks, towering cargo ships, and tearful goodbyes beneath the Statue of Liberty. Soon, Evan finds himself aboard a freighter crossing the Atlantic—a floating world of roaring engines, endless water, mysterious passengers, and adventures around every corner.

At first, the voyage feels magical. Evan explores the ship’s library, watches flying fish skim the waves, spots whales from the bridge, and celebrates his birthday on the open deck, lit by strings of lights. But the journey grows far more complicated when Evan meets Mateo, a quiet boy with secrets of his own.

As storms pound the ship and hurricane-force winds churn the sea, the boys form an unlikely friendship over puzzles, model ships, and long conversations about leaving home behind. Yet when Evan’s treasured airplane kit suddenly disappears, suspicion threatens to destroy the bond they have built.

Far from home and surrounded by the vast Atlantic, Evan must learn that courage is not about being fearless. It is choosing kindness when hurt runs deep, forgiveness when trust is broken, and compassion when someone needs it most.

Filled with unforgettable characters, breathtaking ocean scenes, and heartfelt moments of friendship, Evan’s Stormy Voyage is a rich coming-of-age adventure that celebrates empathy, resilience, and the power of human connection across cultures. Perfect for readers who love emotionally rich adventure stories, this second book in the Evan’s Adventures in Africa series invites children into a world of discovery they will never forget.

Can you tell us a little about the main characters in your book?

The main character in Evan’s Stormy Voyage is eight-year-old Evan, a curious, adventurous boy traveling with his parents from New York to Africa aboard a freighter. Evan is excited about the voyage, but he also faces real challenges along the way—from a frightening storm at sea to learning to handle disagreements, admit mistakes, and forgive.

One of the most important supporting characters is Mateo, the boy who shares Evan’s cabin. Mateo is traveling to Ghana to live with his grandparents. Although the boys begin the voyage as strangers, they quickly become friends. Their friendship becomes the emotional heart of the story. They build a model pirate ship together, explore the freighter, share adventures, and experience a conflict that tests their friendship.

Evan’s parents are another important part of the story. They provide Evan with the security and encouragement he needs while still allowing him to experience the voyage and learn lessons for himself.

Captain Morales introduces the boys to the fascinating world of the ship. Through him, they get to visit the bridge, learn how the freighter operates, and discover what life at sea is really like.

I also think of the ship itself almost as a character. It carries Evan away from everything familiar and into a completely new world—across the Atlantic, through a dangerous storm, and eventually to West Africa’s coast.

What I especially love about these characters is that they offer young readers more than an adventure. Through Evan and Mateo, children see friendship, courage, honesty, forgiveness, and the experience of saying goodbye to someone they have grown to care about. At its heart, Evan’s Stormy Voyage is not only about crossing an ocean. It’s about how a journey can change us.

Where and when does this book take place?

This book is set aboard a freighter making the voyage across the Atlantic Ocean from New York to Lagos, Nigeria, West Africa.

They say all books have at least one pivotal point where the reader just can’t put the book down. What is one of the pivotal points in Evan’s Stormy Voyage?

The first pivotal point in the book could be when the hurricane begins.

Does your book carry a message?

• Courage doesn’t mean you aren’t afraid. Evan can feel scared, uncertain, or overwhelmed and still keep going. That gives children a healthier picture of bravery: I can be afraid and still be brave. 
• Storms are temporary. The voyage can become a gentle metaphor for difficult moments in childhood. When things feel chaotic or frightening, children can learn that they can make it through and eventually find calmer waters. 
• Trust yourself and keep moving forward. Evan’s journey can encourage children to listen to their inner voice, make choices, and discover that they are more capable than they initially realize. 
• You don’t have to face hard things alone. The story includes people who help Evan, reinforcing that asking for help isn't a weakness—connection is part of courage. 
• Adventure can come from uncertainty. The storm isn't simply an obstacle; it changes Evan and teaches him something. Children can come away seeing challenges not just as things to escape, but as experiences through which they grow. 

The feeling I'd want children to leave with:

“I can handle hard things. Even when I'm scared or don't know what will happen next, I can keep going, ask for help, and trust that I can find my way.”

And emotionally, I’d want to leave them feeling brave, hopeful, comforted, and curious—not that storms are nothing to fear, but that they are not bigger than the child facing them.

That could become a particularly strong central message: “Every child has a stormy voyage sometimes—and every child has the courage to navigate it.”

What’s your next project?

Evan’s Gift is the first book in the series, and then Evan’s Stormy Voyage. Coming soon is Evan and Elmer’s Adventures in Africa, which is about Evan and his pet monkey. The next book will be about Evan’s adventures with his dog, Tippy. 

Where can we pick up copies of Evan’s Stormy Voyage?

Where to purchase the book: (links)

https://a.co/d/0frRfGi8

https://store.bookbaby.com/book/evans-stormy-voyage

Where to find Karen: 

https://www.weaveofsuspense.com/post/coming-soon-book-two-in-the-evan-s-adventures-in-africa-series

Is there anything you’d like to tell your readers and fans?

If you want to write a story of your own, don’t be afraid to use your imagination! You don’t have to know the whole story when you start. Just begin, have fun, and let your characters take you on an adventure. And remember—your story is special because only you can tell it.

 

❤Author Interview: Bruce Berlin, Author of 'From Camden to Kathmandu' #authorinterview

 

In 1972, Bruce Berlin — a young poverty lawyer from Camden, New Jersey — set off on a journey with no clear destination. What began as a restless escape became one of the most formative adventures of his life. Traveling overland through Turkey, Iran, and Afghanistan at a time when those borders were still open to wanderers, Berlin found himself riding across the Afghan desert in the back of a truck with armed men and their rugs, navigating a world that would soon be transformed by war.

In India, something shifted. Visits to the sacred Buddhist sites of Bodh Gaya and Sarnath planted a seed. Then, in Kathmandu, a chance encounter with former law school classmates led Berlin to a month-long Tibetan Buddhist retreat at Kopan Monastery — an experience he would later describe as perhaps the most important month of his life. Guided by Lama Yeshe and Thubten Zopa Rinpoche, Berlin began a practice that would sustain him for the next fifty years.

From Camden to Kathmandu is a memoir about following the open road before you know where it’s going — and discovering that the destination finds you. Written with the documentary authenticity of real letters sent home, it is the story of a restless young man’s transformation into a meditator, activist, and lifelong seeker.

From Camden to Kathmandu is available at Amazon.

Can you tell us a little about yourself? Are you a full time author?

I grew up in Camden, NJ, and moved to Santa Fe, NM, in 1982. In 1972, I traveled for a year through Europe and Asia. That journey is the basis for my recent memoir, From Camden to Kathmandu. I’m not a full-time author. Since retiring from the practice of law in 2012, I’ve built a house, worked on progressive political issues and started writing a blog, as well as written two books. I published my first book, Breaking Big Money’s Grip on America, in 2016. I was a public sector ethics attorney for most of my career. At the same time, I did a lot of work advocating for non-profit, progressive political organizations. For over eight years, I directed The Trinity Forum for International Security and Conflict Resolution and was awarded a U.S. Institute of Peace Fellowship. I have one daughter who is moving to Italy with her husband in August.

Can you tell us about From Camden to Kathmandu: You Don’t Have to Know Where You’re Going to Get Where You Want to Be?

From Camden to Kathmandu is a memoir which chronicles my journey from practicing law in New Jersey to meditating in a Tibetan monastery outside Kathmandu, Nepal. For 10 months, I was driven by what Buddhism calls the hungry ghost of spiritual longing, seeking meaning to my life. I wandered around Europe, then overland in a vintage VW bus from Turkey through Iran and Afghanistan to India, and Nepal. Along the way, I met  local people in various countries who treated me like family and taught me the value of community as I experienced the generosity of people with little means. After some amazing adventures and much self-discovery, I landed at Kopan, a Tibetan Buddhist monastery outside Kathmandu, where I took a month-long meditation training with fellow seekers from all over the planet. There I went deep within to explore questions of identity and purpose.

Can you pick out a passage in your book to share with us?

From the beginning of my journey, I found myself running around Europe practically nonstop, trying to see and do as much as possible as quickly as possible. There was so much to take in. Yet I could never quite keep pace with my desire for something more. When my experience fell short of my expectations, I quickly consulted a map and rushed off to a new destination.

Though I didn’t realize it then, I was becoming what the Buddhists call a hungry ghost, one who could never quench his thirst or satisfy his cravings. In Buddhism, hungry ghosts are beings driven by intense emotional needs that cannot get their desires met. They’re creatures with pinhole mouths and necks so tiny they cannot swallow. They can never fill their bulging, empty stomachs. Whatever they try to ingest turns to fire or ice, which can’t pass through their minuscule throats to their very large bellies. In effect, I was trapped in the Hungry Ghost Realm—a realm below the Human Realm but above the Hell Realm—where I was constantly seeking something outside myself to curb an insatiable yearning deep within me. But for what, I had no clue.

How can people benefit from reading From Camden to Kathmandu: You Don’t Have to Know Where You’re Going to Get Where You Want to Be?

My memoir will inspire people searching for a deeper sense of self, or greater purpose in their lives, as well as those at a crossroads. It demonstrates how letting go and opening up to whatever the universe offers you can provide the real-life experience you need to find your way forward. It’s also a provocative story for readers who just want to immerse themselves in an exciting adventure. 

Is this your only book?

No, I published my first book, Breaking Big Money’s Grip on America, in 2016. It describes how Big Money dominates and corrupts our political system to the detriment of the American electorate and the public good. It then lays out how a massive democracy movement can overcome this problem and return political power to the people.

Thank you so much for this interview, Bruce. What’s next for you?

I will continue writing my blog. Go to https://openroadopenheart.substack.com. I’ll also work on political issues like getting money out of politics and serve on the board of New Mexico Men’s Wellness and other community efforts.

Where to purchase the book:

https://books.by/our-time-books

https://www.collectedworksbookstore.com

 

Tuesday Book Spotlight: Parallel Universe Saga by Randy C. Dockens

In Book 1, Retrieving the Future, Declan befriends an amazing humanoid robot, Lyle, on one of his parallel Earth trips and brings him home to create his idea of an ultimate AI. That’s when everything unravels!

Suddenly Declan’s coworkers and company leaders want him dead, his girlfriend Rose is in danger, and the only way to survive is to discover what his missions were really about—a secret conspiracy linking corporate greed to some of Scripture’s endtime prophecies. To discover that connection, the AI he created sends him and Rose on a parallel Earth mission together, a mission unsanctioned by the company’s Board.

╰┈➤ Book Details:

Genre: Christian Science Fiction

Sub-genre: Biblical Fiction

Language:English

Pages: 304

Paperback ISBN: 978-1734085068 

╰┈➤ Excerpt:

PREFACE

The theory of parallel earths, or parallel universes, is a science fiction topic that has been around for several years. Some scientists believe such a thing may be truer and more possible than once believed. Each person faces many choices throughout their lives, and decisions made sets one down a course of experiences and events that could be very different from what would have occurred if a different decision had been made. Parallel earths would have each of those choices occurring simultaneously—just never experienced simultaneously. Unless . . . unless one could somehow travel from their earth to this other earth. 

Now consider this for everyone and every decision. This would create an infinite number of earths in an infinite number of universes with an infinite number of you—each having unique and very different possible outcomes from decisions made, decisions that can then impact other decisions and other encounters. So, on and on it goes.

Sound confusing? Yes. Sound intriguing? Yes. Sound like a good environment for plots for science fiction novelists? Yes!

First of all, what is a dimension? It is simply a stage of reality where one higher dimension includes all the reality of the previous dimension but adds another. According to string theory, a scientific framework to try and unify the fundamental forces of nature in our universe, there are 10 dimensions. But then there are five versions of string theory. A version that tries to unite them all, called M-theory, requires 11 dimensions to do that. So, that would be ten, or eleven, stages of reality. What would those be? Well, here they are in their simplest form and description. Again, some may describe them slightly differently. The list below indicates what additional reality is added to the previous dimension:

1st dimension: length.

2nd dimension: width.

3rd dimension: height.

4th dimension: time: this would be our current reality. We live in a 3-D world, but experience linear time (i.e., we age).

5th dimension: time becomes fluid in which one can travel (some call this time travel).

6th dimension: parallel earths exist – the differences between them are the outcomes of the different choices individuals make; one can travel from one to the other at the same time stamp.

7th dimension: parallel earths with different conditions exist (i.e., different laws of nature and different physics) – perhaps silicone life forms instead of carbon life forms, for instance. Or, in this novel, a case where a time dilation field exists.

8th dimension: not only can one travel between parallel worlds with the same conditions, but travel between worlds with different conditions (some call this the multiverse).

9th dimension: not only can one travel the multiverse, but at any time within the multiverse (some call this the super multiverse).

10th dimension: not only can one travel between any and all worlds, but at any time between any world thereby understanding the past, present, and future of all worlds simultaneously.

11th dimension: what could possibly be beyond the 10th dimension since it is so encompassing? Well, it seems that the 10 dimensions originated here.

This could also explain how one could not go back in time and change things but can go forward in time to multivariate experiences because the past is composed of decisions already made and the future is a possibility of various events based upon decisions made. The present is the fulcrum between the two.

As you can see, this gives an author many backdrops for almost anything to happen within their novel. In this book, we stop at the 9th dimension and limit the travel to only what would be considered a matching reality in our world. In the text, I try to simplify these concepts even further.

So, now the question of how does this lead to anything biblical? Well, first we need to understand that science points to truth but is not truth itself. After all, science can change as we test new theories and have better and more specialized equipment to measure and view things not previously possible. So, science keeps evolving and giving us new information which helps to refine what truth looks like but never defines truth itself. It supports truth. Truth has no bias. We can’t say the same thing about science. Also, any technology can be used for good or for bad. You’ll see this is also true utilizing the technology developed in this novel to travel to other parallel earths. I won’t give that away here. But to the question of whether this concept is biblical, perhaps it is. If we look at how one dimension builds upon another, when we get to the 7th dimension, perhaps this is where the spiritual world begins and starts to overlap into ours. If we look at the other natural laws and physics being different from our own to encompass the spiritual realm, it can lead to understanding how things like Sheol, Eden, and angels fit into this paradigm. The 10th dimension then helps us to understand how this can relate to God, as he can see past, present, and future simultaneously. What about those who consider 11 dimensions? Well, it could be that God’s council would represent the tenth and God himself the eleventh. Higher dimensions can enter lower dimensions, but not vice versa. To keep this preface from going too long and belaboring the point, allow me to stop here with how all of this would work. But as you can see, one can make a case for this from a biblical perspective—just not in the same way most scientists without the concept of God view these dimensions. This also lends to helping us see how scientific phenomena and spiritual phenomena don’t have to be considered separately but one helps to explain the other.

So, happy reading! You’ll discover how the complex can lead to action-packed adventures that expand one’s mind but not break it. Also, unfortunately, you’ll find that greed and rebellion can expand even beyond our universe. But . . . on the flip side, so can love.

– Excerpted from Retrieving the Future by Randy C. Dockens, Quill & Quotation Press, 2025. Reprinted with permission.

In Book 2, Resolving the Future, Declan discovers the secret to his parallel Earth visits …. and it’s not good.

This other parallel Earth lies within a time dilation field which severs his and Rose’s connection to their world. Another way to get back must be found. He discovers why his company’s Board sanctions his trips to parallel Earths and this discovery not only puts his life and that of Rose in danger, but basically everyone he has worked with at his company.

Once he and Rose return to their Earth, all has changed. Only his robot friend, Lyle, has remained unchanged. The AI he created and who sent him on his off-world mission is now in control of the company, has his boss and the Board under its sway, has no knowledge of his unsanctioned mission, and now considers Declan enemy number one. Declan now has to convince a company blinded by greed that they’ve created humanity’s executioner— and do that before there’s no future left to fight for.

╰┈➤ Book Details:

Genre: Christian Science Fiction

Sub-genre: Biblical Fiction

Language:English

Pages: 304

Paperback ISBN: ‎ 979-8992197150 

╰┈➤ Excerpt:

Preface

Parallel Earths, or other dimensions, is a topic that has interested scientists and science fiction enthusiasts for years. Its main intrigue is likely that what isn’t occurring on our Earth could be happening on a different Earth and can vary in many ways. This gives writers an opportunity to create a narrative that would normally sound quite wild but with this idea of parallel Earths, or other dimensions, the same narrative can now be made and become believable because it is not on our Earth but on some other Earth where typically unbelievable events occur. It can vary from a character doing, or being, someone different than they currently are, or even an environment in which a character lives that would not occur or even be possible on our Earth. For example, in this current novel, there is a time dilation field that affects the time difference between worlds. While, currently, such scenarios are not possible in our reality, it in no way limits the imagination of writers who desire to use this interesting segment of science to their full advantage to create unrealistic worlds, characters, and environments, but just as equally believable and acceptable to readers.

For an understanding of parallel Earths, or different dimensions, see the Preface of my first book of this series, Retrieving the Future, or some blog posts about dimensions on my website, www.randydockens.com. 

Another area of science that has been around for quite some time, and especially now, is artificial intelligence (AI). The idea of its utilization piques intrigue is some and horror in others. However, as with any technology, it can be used for benefit or for ruin. It plays a key role in this present novel. The other argument around this topic is how much knowledge should be made available to such an instrument. Does one limit available knowledge to guide AI and its findings in a way one can control, or does one give unlimited knowledge to AI to allow it to come up with conclusions that may take all information into account and thereby be, supposedly, less biased than what humans can derive? Some say yes, others say no. Why? It seems human bias may not only lead to biased AI conclusions but biased AI analyses as well. Perhaps the real question is not whether AI will be our savior or our demise, but will human bias lead to our salvation or our destruction? Perhaps that is the better question with which to wrestle. Read away to discover how and where this novel takes this very question.

– Excerpted from Resolving the Future by Randy C. Dockens, Quill & Quotation Press, 2026. Reprinted with permission.

The Parallel Universe Saga (including Retrieving the Future Book 1 & Resolving the Future Book 2) is available at Amazon and the author’s website. 

About the Author

Dr. Randy C. Dockens has a fascination with science and with the Bible, holds Ph.D. degrees in both areas, and is a man not only of faith and science, but also of creativity. He believes that faith and science go hand in hand without being enemies of each other.

After completing his bachelor’s degree in pharmacy from Auburn University he went on to graduate school at Auburn and completed his first doctorate degree in Pharmaceutics. He began his scientific career as a pharmacokinetic reviewer for the Food and Drug Administration and later joined a leading pharmaceutical company as a pharmacokineticist, which is a scientist who analyzes how the human body affects drugs after they have been administered (i.e, absorbed, distributed, metabolized, and excreted).

Through the years, he has worked on potential medicines within several disease areas, including cardiovascular, fibrosis, and immunoscience to seek and develop new and novel medicines in these therapy areas.

He has also had his attention on the academic study of the Bible. He earned a second doctorate in Biblical Prophecy from Louisiana Baptist University after receiving a master’s degree in Jewish Studies from the Internet Bible Institute under the tutelage of Dr. Robert Congdon.

Randy has recently retired from his pharmaceutical career and is spending even more time on his writing efforts. He has written several books that span dystopian (The Coded Message Trilogy), end-time prophecy (Stele Prophecy Pentalogy), science fiction (Erabon Prophecy Trilogy), uniquely told Bible stories (The Adversary Chronicles), speculative fiction (Cities of Light Series), and a combination of science fiction / speculative fiction (Parallel Universe Saga). All his books, while fun to read, are futuristic, filled with science to give them an authentic feel, have a science fiction feel to them, and allows one to learn some aspect of Biblical truth one may not have thought about before. This is all done in a fast-paced action format that is both entertaining and provides a fun read for his readers.

He has also written some nonfiction books as well. One is to show how all humans are connected from God’s viewpoint by looking at biblical prophecy (Why is a Gentile World Tied to a Jewish Timeline?: The Question Everyone Should Ask). This book shows how all scripture is connected and inclusive of everyone. In addition, he and his editor have written two books about writing. The first is on writing techniques themselves and is entitled Mastering the ABCs of Excellent Writing: Creating Vivid and Colorful Stories that Readers Want to Read. This book not only addresses the techniques of writing, but what makes writing unique to each author. It conveys not only how to better hone one’s craft of writing but also the brand an author wants to portray. This helps an author make their writing unique as well as captivating for his/her audience. The second is a companion book to this one entitled Mastering the ABCs of Excellent Self-Editing: Framing Your Colorful Masterpiece to Keep Readers Engaged in Your Story. This is best used in conjunction with the first one. Yet, self-editing, though intricately connected to writing, is a distinct event. The better the quality of a writer’s draft manuscript when it is delivered to one’s editor, the higher the final quality of the manuscript will be for readers, and that is extremely important.

Dr. Dockens still has creative ideas to share so stay tuned! 

Dr. Dockens’  latest books are Retrieving the Future & Resolving the Future (Books 1 & 2 in the Parallel Universe Saga Series)

Visit his website at https://www.randydockens.com.

Connect with him on social media at:

X: www.x.com/RandyCDockens

Facebook: www.facebook.com/Randy.C.Dockens

Instagram: Randy C Dockens (@randydockens) | Instagram

Goodreads: Randy C. Dockens (Author of T-H-B) | Goodreads

❤Author Interview: Mary Lawlor, Author of 'Fighter Pilot's Daughter' #authorinterview

 

Mary Lawlor is author of a memoir, Fighter Pilot’s Daughter: Growing Up in the Sixties and the Cold War (Bloomsbury 2015) and two books of cultural criticism, Recalling the Wild: Naturalism and the Closing of the American West (Rutgers UP 2000) and Public Native America (Rutgers UP 2006). She studied at the American University in Paris, the University of Maryland, and New York University. She divides her time between Easton, Pennsylvania and Gaucin, Spain. Her novel, The Translators, is set in 12th century Spain and fictionalizes the experiences of Robert of Ketton, first translator of the Koran into Latin. She hopes to see it out next year. In the meantime, she has started a second novel, The Women’s Hospital, set in 18th century Spain and inspired by the life story of an Irish woman whose family moved to Cádiz, escaping English oppression in their own country.

╰┈➤ You can visit her website at https://www.marylawlor.net/.

Connect with her on social media at:

╰┈➤ Facebook: https://www.facebook.com/mary.lawlor.186/ 

 

 

Thank you so much for this interview, Mary. How did your family feel about having you write a book that might include them? 

My parents were both gone by the time I wrote Fighter Pilot’s Daughter, and one of my older sisters had passed away. I was worried about how my other two sisters and the larger, extended family would feel

about my describing intimate dynamics in the book, like my parents’ fighting or my father’s alcoholism. But my sisters and I talked about these things, and they were supportive. Before publication, I sent them both the finished manuscript — not promising to make changes but to hear their feedback and be influenced or not by it. I know one of them has read the entire book, and she was very moved. Her response has meant the world to me.

What was it like living in military quarters and never having a ‘real’ home that stayed in the same place? Do you feel it shaped who you are today?

In some ways, it wasn’t so much of an issue, since from the time we were very young, my sisters and I were moving every two years or so. It was all we knew and all we expected. The other kids on the Army posts where we were stationed had the same experience.

But a couple of things complicated that normality. Whenever they could, my parents enrolled us in Catholic schools, off post, and we would find ourselves surrounded by kids who had known each other since kindergarten. Generally, they looked at us like we were irrelevant — at least at the beginning. Eventually we’d make friends and be invited to their homes, where we’d see the continuity and stability of their lives, in contrast to our own.

And there were the visits to see our New Jersey cousins, who lived in a lovely house in a country town where they’d been all their lives. They’d gone to the same school, had the same friends, and so forth. It was an ideal domestic scene, and I loved being there. I was envious of their world but couldn’t imagine it for myself. It was too far out of reach.

When we were young, the moves were exciting. My parents would talk about the places we were going — California! Germany! — and my sisters and I would start imaging what they would be like. We’d read about and picture ourselves in the new situation. As we got older and had close friends and boyfriends, the moves were more difficult. It was sad and painful to have to leave, and we wished very much we could stay in the same place. Then, again, the new place would be exciting and different. We’d make new friends, and the cycle would continue like that.

Moving so much and not having a home has shaped me a great deal. After leaving my parents for college, I kept moving and am still am not quite rooted, although I’m married and have a nice house in Easton, Pennsylvania. But every three months my husband and I shift off to Spain, where we have a cabin in the mountains of Andalucía. I love being in Spain and would move here if I could. We have friends and more of a history here than we do in Easton. We don’t, however, have residency in Spain, so after three months, we come back to Easton. The year is divided up like this, and it feels perfectly familiar to me.

In one of your interviews you said, “Memories of my girlhood and forgotten fears of nuclear apocalypse were running through my brain day and night.” I can’t imagine the fear. Can you elaborate on this and tell us how you coped?

Living on military posts, I think we had more of a sense of the potential for nuclear war than other children in America. Because our fathers’ jobs were to get the defense apparatus ready for that eventuality, we were made constantly aware of it. Civil-defense shelters were everywhere, and we practiced the “Duck and Cover” moves at school, huddling under our desks and hoping that would do the trick! On the posts in Heidelberg and Stuttgart, Germany, there was a lot of talk about the Fulda Gap, a point on the border between West and East Germany where it was predicted the Soviet army would flood through to do battle with the Germans and the rest of Europe. These images and warnings kept the possibility of nuclear apocalypse in our minds almost all the time.

Apart from that, our parents were practicing Catholics, and the story of St. John’s Apocalypse often came up in the post chaplain’s sermons. Apocalypse offered a ready analogue to the talk of nuclear annihilation, and the chaplain would build on it, trying to imbue in us a sense of how close the end of world might be. The terrifying judgement of the living and the dead and the assignment of eternal damnation or happiness was always upon us.

These twin discourses of apocalypse were in the air, in our dreams and produced what I’d call a habit of fear, a trained response to seeing whatever troubling situation emerges as a sign of the end of days. Or the end of something. Like now, so many people my age are seeing the current political situation in the US as signs of the end of democracy and, perhaps, of America. But on a more personal level, the habit of fear has stayed with me and been a real handicap to my self-development and to my ability to genuinely live with confidence. Fortunately, it’s an obvious enough problem that I’ve known about it for a long time and have spent a lot of time (and money!) trying to come to terms with and manage it in therapeutical contexts.

Can you tell us the name of some of the places you have traveled to when your father was an aviator and which were your favorite?

We lived in Camp Lejeune, North Carolina, infamous as a cancer hot-spot for people who lived there in the 50s. Then there was Fort Rucker, in Dothan Alabama, where my father taught pilots how to fly helicopters and I got to ride in a Bell helicopter once — like being up in the air inside a giant eyeball. We rented a farm way out in the country and had a horse, cows, chickens, guinea hens to look after. That was hugely fun, although rural Alabama was a very unfamiliar place and the people there weren’t easy for us — especially for my mother — to understand. I go into Franny’s way of responding to southern culture in the book, but suffice it to say here that she was quite unhappy. Later we moved to Fort Benning in Columbus, Georgia, where we lived off post in a swampy development called Forestdale. There was a creek behind the house, but you had to watch out for water moccasins. I started my writing career there with a little newspaper a friend and I created, The Forestdale Gazette, in which we reported news of the neighborhood, using carbon paper for copies.

Later we moved to Fort Ord, in Monterey, California. This was really my favorite and my sisters’ too. We lived on post, but our parents enrolled us in the beautiful Carmel Mission School in Carmel, situated in an old monastery and arranged like a cloister walk around a gorgeous garden. We made friends there and loved the school, although some of the nuns were stricter than others. We stayed at Fort Ord long enough for my older sisters and me to start high school in Monterey. Then my father had orders to go to Stuttgart, so we had to say goodbye to people who had become important to us.

We crossed the Atlantic on the SS United States, an adventure in itself, which I also recount in the book. Germany opened up a whole new world. The enormous differences of language, styles of dress and manners, of what kids were allowed to do that they weren’t in the US and vice-versa, not to speak of the economic differences between them and us in those days — all these surprises were overwhelming. But it was fascinating. I scrambled to learn the German language and understand the few German friends I made. For the first couple of years we were in Stuttgart, a beautiful industrial city, and then we moved to Heidelberg, a handsome and historic university town. In both places we lived in the very closed environment of the post and didn’t get to know German people or their language or society very well. Among the military kids, my sisters and I came of age and got a taste of American teenage life that we’d never had in the States — drinking parties in the local Gasthauses that had no drinking age, and moonlit adventures in old Nazi sites. It was a strange and exotic experience which made me into a very different person than I’d been before.

Having lived through the Cold War, you know the fear of Russians invading or setting off a nuclear weapon was very real. Can you help us feel what that was like?

We were shown films in school with images of an enormous blast, followed by empty streets with trash blowing in the nuclear wind. The announcer would insist again and again that if we heard the atomic warning siren, we were to “duck and cover,” wherever we were. And we were told there might be no warning, that a blast as bright as the sun would suddenly happen, anywhere, anytime. Duck and cover movies warnings were played in schools and in the base movie theaters. Readiness warnings were issued at sports events and even in church. Repeatedly, we were told to be always alert for the warnings or the sun-bright blast itself. The message was meant to live in our psyches and be part of our thinking, our identity. We were people under threat. Nuclear holocaust was in my dreams and fueled a steady sense of fear and trepidation. From one moment to the next, you had to be ready for the world to fall apart under your feet. It was a tremendously unsettling discourse and kept all of us, I think, on edge and fearful.

I see this now in hindsight as a terrible experience for a child. Whatever the actual threat level at any given moment, ducking and covering probably wouldn’t have helped much. It only left us with a habit of fear. It probably made some of us more philosophical or religiously-minded than we might otherwise have been, given the end-of-the-world scenario we lived with all the time; but I think the more general effect was a fear, bordering on neurosis, of what could happen from one moment to the next. No wonder the late counter-culture that followed saw such an explosion of liberation and care-lessness, to counteract the intense, imposed caution of our childhood years.

In an earlier interview, you said you just wanted your mother and father to be remembered. Can you tell us what you would like people to know about them?

I think Jack and Franny were in some ways typical of their generation. Born in the 20s, they lived through the depression and came of age in the second World War. They weren’t subtle but saw things in black and white terms; and were very clear with their comments about everything from politics to homemaking. In many ways, I think they thought of themselves as opposite to the communists who they considered the enemy: communists were subtle, cagey, didn’t put their cards on the table. You couldn’t trust people like that, since what you saw wasn’t necessarily what you got.

Jack and Franny were both larger than life for me, but others outside the family responded to them as if they too saw them as striking characters. They were outspoken and definitive in their opinions. They were both loud and ready for an argument. I never heard them identify themselves as such, but they were politically independent and would size up the candidates carefully, then decide which was the better man (it was always, of course, a man). And once decided, that was it. There was little room for dialogic discussion of things, much less changing their minds.

As parents, they could be very difficult. They were strict, demanding, and kept a close eye on my sisters and I. They weren’t alone: child-rearing was like that in those days. Kids got spanked, and nobody thought it was wrong. My parents set the rules and the tone for our household, and we followed. There was no consulting us as to what we thought or hoped for or worried about.

But they were affectionate, and we knew they loved us. They hugged us a lot and always made a big deal of our birthdays. Christmas was a huge celebration with lots of good presents. And Jack and Franny were fun. Our moves across the country were always treated like adventures. The hotels, the pancake breakfasts at roadside restaurants, the sites along the routes of America — Carlsbad Caverns, Route 66, the Rocky Mountains — were part of a great expedition we were making. They inspired us with their excitement.

At a certain level, I suppose it’s simple vanity: I want them to be remembered because they meant so much to me. But they both contributed something to the world they came of age in, and they were characters of that time. I think that’s worth remembering.

What would you like future readers of your book to know?

I’d like future readers to know what life was like in the middle-to-late years of the twentieth century, particularly for the children of military families, a generally little understood component of American society. The focus of attention to US forces fighting overseas and preparing for war at home is usually on the service members themselves — all their adventures and sacrifices. I’d like readers to know more about the people who came along with them, followed in their wake — the spouses and children of the warriors. They may well not share the warrior’s priorities or even their ideology, but the children in particular are called on to be part of the picture anyway, like camp followers of all ages everywhere. I’d like people to know more about what life was like for us in our time, but I also hope readers will see how military children still experience the difficulties of moving all the time and the instability of life in warrior society. It’s an age-old portrait and one that’s little understood.